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To Make an Example of


 

Sisters of Lilith

Housekeeper

Theo's Gaze

 

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T O   M A K E   A N   E X A M P L E   O F

İbret Olsun Diye İbret Olsun Diye

 


Original title: IBRET OLSUN DIYE
Directed by: Necati Sönmez
Script, editing & production: Emel Çelebi, Necati Sönmez
Camera: Necati Sönmez, Özlem Günhan, Ender Yeşildağ
Music: Nazım Çınar
Participants: Halit Çelenk, Salih Sezgin, Şevket Fettahoğlu, Hasan Gör
Letters by: Erdal Eren, İlyas Has, Hıdır Arslan, Kadir Tandoğan
Narration: Mustafa Ergin, Uğur K. Güler
Consultants: M. Semih Gemalmaz, Uğur Kutay
Format: DVCAM; Screen ration: 16:9
Duration: 48 min.
Year of production: 2007

In Turkey, the death penalty was abolished in 2002, and the final executions were carried out in 1984. Meanwhile, since the foundation of the republic, a total of 712 people, 15 of which were female, were executed ‘to serve as an example’. Even at times when death penalty was a hot issue, it was only discussed either around major political cases or based on the argument of ‘unjust executions’.

The documentary humanely tackles the capital punishment issue through its actual enforcements in Turkey. While wandering in two deserted prisons where many executions were carried out; the film also tries to witness the very last moments of the convicts, as if such a thing is ever possible… And it raises this question on behalf of the hundreds who died on the gallows: Why did we kill all these people?

“Believe me that I am not grieving for dying at my age, but for leaving you behind,sad and crying. For me, it takes only a moment, but for you... You will feel grief, and sadness in your heart for a lifetime.

By the time you receive this letter, I will be dead. I’m not sad. Death is better than living in misery spending a lifetime in prison.

Time heals everything, may be not in every sense, but mostly…”

--Kadir Tandogan, June 25th, 1981
(Executed the same day at 03:30 a.m.)


Poster

FESTIVALS & AWARDS

11th International 1001 Documentary Film Festival, Istanbul (Nov. 2008) >>>

DocumFest International Documentary Film Festival
Special Mention Award

Miradas-Doc, Canary Islands, Spain (November 2008)

2nd "Cinema Verite" Iran Int'l Documentary Film Festival, Tehran (October 2008)

12th Ismailia Int'l Festival for Documentary & Short Films,
Egypt (October 2008)

29th Int'l Cinematographers’ Film Festival - “Manaki Brothers”, Macedonia
(Sept-Oct. 2008)

9th Mediterranean Film Festival, Bosnia and Herzegovina (September 2008)

4th Rencontres Cinématographiques de Hergla,
Tunusia (July 2008)

15th Adana Film Festival, Turkey (June 2008)

Bahrain Human Rights International Film Festival

6th International Non-Budget Film Festival, Cine Pobre, Cuba

19th Turkish Film Days, München

19th Ankara International Film Festival - Second Prize

10th Thessaloniki Documentary Festival, Greece

2nd Int’l Silkroad Film Festival – Best Documentary Award / Golden Karagoz

29th Montpellier International Festival of Mediterranean Film

44th Antalya Golden Orange Film Festival

4th Bodrum International Film Festival

54th Sydney Film Festival

26th International Istanbul Film Festival

REVIEWS

« Necati Sönmez's harrowing film looks at several cases and talks to those who witnessed a number of executions. It also raises the all-important question, why did all these people die? »

--Jenny Neighbour / Sydney FF catalogue, June 2007

« In the film's numerous interviews, Sönmez extracts almost clinical detail from his subjects rendering the horror of the act very real. One lawyer describes how it once took over 25 minutes for a man to die after being hanged. As effectively as the film evokes the terror of execution, it is how Sönmez creates the isolation of death row that makes his film a powerful experience.
Sönmez intertwines the testimony of one former prisoner, who languished on death row for six years, with shots from inside his cell. These compositions which portray a picturesque ocean view are disrupted by the bars that cut across the screen. With the film's haunting imagery, Sönmez creates an overwhelming sense of claustrophobia that perfectly illustrates the misery of those on death row. So potent is To Make an Example of that it causes us to question nations like the US where it is still practiced with impunity. »
                                 
--
Fareed Ben-Youssef sydneyfilmfestival.org

« To Make an Example Of (Ibret Olsun Diye) is an intelligent and well-made documentary by Necati Sönmez. It humanises the victims of capital punishment in Turkey and thereby mounts a strong case against the barbaric practice.(...) [It] is an important contribution to the fight against state-sponsored murder. »

--Ismet Redzovic / wsws.org
6 August 2007

« It’s a simple cronicle of death, it’s the words of the criminals towards their families in order for them to be excused because they made them suffer, the images of the prisons which are presently abandoned: the sobriety of the film denounces with strength the inefficiency of the punishment. »

--Catherine Bédarida / Le Monde, 16 April 2007

« Necati Sönmez, who is already the auteur of a beautiful portrait of Theo Angelopoulos entitled Theo’s Gaze is boarding on a very delicate subject in his third documentary, To Make an Example of : the death penalty, which was abolished in 2002 in Turkey. To those which would dream to see it reestablished, he reminds the last aplications in 1984, which were destined to serve as an example, the horror of executions, the pain of never being able to erase the victim’s guilt. Like any humanist documentarist with the sense of listening, he manages to take testimonies not only from the families of the condemned to death, but also from the torturers and the judges, testimonies which have testamentary value. »

--Gregory Valens / Positif, June 2007


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